Your one-stop-complex for post production in Europe

A state-of-the-art post-production facility located within the ORIGO Studios Budapest complex. Here we offer clients 16mm and 35mm negative processing, 2K and 4K dailies and final finishing support for feature film, television and commercial projects.

Digital Color Grading & Screening

2K/4K Digital Intermediate workflows including editorial, color grading, high-speed filmout and archive.

Comfortable screening rooms equipped with state-of-the-art analogue and stereo digital projectors, in 2K or 4K. The facility’s engineer-team ensures precise calibration and strict color management by Filmlight Truelight. 9 meters wide screens provide top picture quality for executive screening teams up to the entire crew.

DI-Room: 14 VIP chairs, Dolby 3D Barco 2K digital projection, Kinoton Studio Reference film projector, Baselight and Resolve color corrector, 5.1 Klipsch Audio system

Main Screening Room: 48 seats, Dolby 3D Barco 2K
digital projection, Synchronized Kinoton film projectors,
DoReMi 3D DCP Player, RealD 3D Cinema with Silver-
Screen, 7.1 Klipsch Audio system

Scanning and Recording


The world’s fastest scanner is available at Origo Digital. Unparalleled speed and quality from DFT Scanity.
Scanity is a film scanner that offers unprecedented speed, versatility, stability, and safe film handling. It serves a variety of scanning applications including, dailies, feature film mastering, EDL/conform scanning, low resolution browsing, archive and restoration, short-form commercials, as well as digital intermediate scanning. Scanity uses a completely new and uniquely designed Roller Gate in the scanning area of the film path. This method is the most gentle way to transport and scan the film, and besides from the rollers, there are no mechanical parts. Scanity provides touch-free pin registration rather than mechanical pins to ensure excellent image steadiness.


For feature film scanning as well as in a wide range of commercials, film restoration and in digital dailies applications. Constant evolution since it’s introduction in 2004 has made the ARRISCAN the futureproof investment in film digitizing. 6K/4K and 3K/2K scanning with CMOS area sensor, LED illumination, incl. infrared dust removal, doubleflash technology for high dynamic range. 8 frames per second scanning speed, 2 m/s winding speed with live image, pin-registered film transport for 2- 3- and 4perf 35mm and 16mm.


The new top model by ARRI, the ARRILASER 2 ‘HighSpeed’ provides with a maximum speed of 0.8 sec/frame in 2K and 1.3 sec/frame in 4K more than double the throughput speed of the existing ARRILASER Speed. The ARRILASER is the only film recorder to use laser technology. With this technology it has set industry standards in image quality, productivity and reliability, and has significantly reduced the cost of recording digital images onto film. It has even been recognized and honored by the Academy of Motion Picture Arts and Sciences (A.M.P.A.S) with a Technical Achievement Award in 2002.

Preserving Images for the Future

With new file formats, storage capabilities, and rates of data flow constantly changing, there is a risk that data stored on current tapes and hard drives might not be accessible later. The ARRILASER 2 HS offers the only proven way to store film images that can be accessed not only tomorrow, but for decades to come.

With the option to record b&w separations from a color negative, the ARRILASER 2 HS offers a very convenient way to store a color negative on the most future-proof media that currently exists: b&w film.


Versatile and comfortable Edit-Bays for rent. Productions can begin their project at the earliest stage by renting high-performance offline Avid and Final Cut Pro systems. We offer shared storage system for collaborative work. All the equipment is stored in our secured Server-room.

– Offline edit bays equipped with 5.1 Genelec sound system
– 42″ Calibrated screens (3D is available on-demand)
– Secure system storage in a controlled environment
– Dailies systems for audio syncing, one-light color grading, LUT applying

Audio Post

Scaleable system of Pro-Tools based digital audio workstations seamlessly integrating with picture editorial and dailies preparation.

Separate recording, editing, and design suites. Editing room includes 65″ stereo screen, video server, and 7.1 JBL audio system with sound processor.

Post services include:

– Sound editing, design
– Audio pre-mixing
– Dialogue replacement (ADR) / Dubbing / Voice-over recording
– Foley recording

Data Delivery

Our Fibre-based Global Data Delivery pipeline ensures the most secure way to send digital files over the internet to support Avid, FCP, and PIX or FrameIO dailies, H264 viewing media, or uncompressed file distribution like DPX or EXR.

Dailies and Near-set Grading

Our workflow specialists can tailor the dailies pipeline for your needs, whether you shoot on film or digital, whether you need a colorist near-set or just to apply the LUTs by your DIT.

The dailies applications provide a solution for post digital and film dailies. It provides native support for all file containers and single frame file formats. It performs image and audio synchronization of dailies material, timeline editing, color correction, image scaling, and supports parallel workflows for higher throughput and efficiency. Stereoscopic 3D support includes stereo color matching and parallax processing. Output for QuickTime, MXF, DNxHD, DNxHR codec, MP4, H264, H265 and others.

Our experienced colorists can work close to the DoP and the Director establishing the look of the feature. We can create LUTs, screenings, previews and dailies. We offer the following:

– Color management and LUT creation through editorial and finishing
– Dailies creation and transcoding
– LTO archiving and redundancy checks
– Quality control at every step, data checking and security
– Fibre channel link directly to the sound-stages

Visual Effects

Simple graphics to advanced compositing, replacements and restoration.


High-performance online editing and finishing is performed industry standard R&S Clipster or Resolve. Provides finishing for film and television in 2K/4K, HD, and UHD. Versatile finishing using uncompressed 4:4:4 signal processing for film trailers, HD or UHD episodic television, TV films and miniseries, commercials. High speed data connection to color grading systems and for visual effects.

– Archiving and Preservation
– Data Hosting


We specialize in encoding video masters into a variety of file formats typical for computers, streaming, and media center playback devices. We offer scalable capacity to meet high-volume turnaround requirements. Digital cinema masters, Netflix or HBO standard IMF containers, and LTO or cloud-based archiving methods are available.

Tape transfer services

Highest transfering quality from HDCAM SR 4:4:4 format is available among all other formats such as Digital Betacam, Beta SP, DVCAM, DVD, BD (also in NTSC). Format conversions, transcoding.

12 years

100+ major productions

feature films, series, TV shows, events