ORIGO DIGITAL · BUDAPEST

Picture.
Sound.
Delivered.

The full-service post-production complex for international features, series, television and commercials — connected directly to ORIGO Studios.

Explore capabilities Watch the work

16 / 35 mm2K / 4K / 6K7.1 audioGlobal delivery

One connected workflow

Your one-stop post-production complex in Europe.

A state-of-the-art post-production facility located within the ORIGO Studios Budapest complex. We support 16mm and 35mm negative workflows, 2K and 4K dailies, editorial and final finishing for feature film, television and commercial projects.

15years of major international production

100+major productions

6Kfilm scanning

48seat screening room

Picture post

Color, calibrated.

Digital Intermediate workflows including editorial, color grading, high-speed film-out and archive — with precise calibration and strict Filmlight Truelight color management.

DI Room

14 VIP chairs
Dolby 3D Barco 2K digital projection
Kinoton Studio Reference film projector
Baselight and Resolve color correction
5.1 Klipsch audio system

Main Screening Room

48 seats and 9-metre-wide screen
Dolby 3D Barco 2K digital projection
Synchronized Kinoton film projectors
DoReMi 3D DCP Player and RealD 3D Cinema
7.1 Klipsch audio system

Film scanning & recording

Photochemical craft. Digital precision.

From safe, high-throughput scanning to laser film recording and long-term preservation, the pipeline keeps valuable images accessible for decades.

DFT

Scanner

SCANITY

High-speed, versatile film scanning for dailies, feature mastering, EDL/conform, archive, restoration, commercials and digital intermediate work.

Its Roller Gate provides gentle film transport, while touch-free pin registration delivers excellent image steadiness without mechanical pins.

Fast · stable · film-safe

ARRI

Scanner

ARRISCAN

6K/4K and 3K/2K scanning with CMOS area sensor, LED illumination, infrared dust removal and double-flash HDR technology.

Up to 8 frames per second, 2 m/s winding with live image, and pin-registered transport for 2-, 3- and 4-perf 35mm and 16mm.

6K · HDR · IR clean-up

ARRI

Recorder

ARRILASER 2 HS

Laser film recording at up to 0.8 seconds per frame in 2K and 1.3 seconds per frame in 4K — more than double the throughput of the earlier ARRILASER Speed.

The technology set industry standards for image quality, productivity and reliability and received an Academy Technical Achievement Award.

2K / 4K · archive proven

End-to-end pipeline

From first dailies to final master.

Picture editorial, near-set color, sound, VFX, finishing, mastering and secure delivery remain connected across the same facility.

Editing

Comfortable offline Avid and Final Cut Pro edit bays, collaborative shared storage, 5.1 Genelec monitoring, calibrated 42-inch screens, 3D on demand and secure server-room storage.

Dailies & near-set grading

Film and digital dailies, stereo 3D processing, image/audio sync, editorial, LUT workflows, color correction, scaling and parallel throughput with QuickTime, MXF, DNxHD, DNxHR, MP4, H.264 and H.265 outputs. Colorists work with the DoP and Director to establish the look, create screenings and previews, with QC, LTO redundancy and a direct fibre link to the soundstages.

Data delivery

A fibre-based global delivery pipeline for Avid, FCP, PIX and Frame.io dailies, viewing media and uncompressed DPX or EXR distribution.

Visual effects

From simple graphics to advanced compositing, object replacement and image restoration.

Finishing

R&S CLIPSTER and Resolve finishing for 2K/4K, HD and UHD, with uncompressed 4:4:4 processing for features, episodic television, trailers and commercials.

Deliverables

Digital cinema masters, streaming deliverables, Netflix and HBO-standard IMF containers, plus LTO and cloud-based archive options for high-volume turnaround.

Archive & preservation

Color-managed archiving, data hosting, LTO redundancy checks and film recording designed to keep images accessible beyond changing file formats and storage generations.

Tape transfer

High-quality HDCAM SR 4:4:4, Digital Betacam, Beta SP, DVCAM, DVD and Blu-ray transfers in PAL or NTSC, including format conversion and transcoding.

Audio Post · operated by INFAZE

Sound develops alongside the picture.

Full sound post-production inside the ORIGO complex: dialogue and effects editing, sound design, ADR, mixing and delivery for feature films, series and documentaries.

Dialogue & SFX editingSound designRe-recording mix up to 7.1ADR, dubbing & voice-overFoley recordingDialogue restoration

Three mixing suites cover the full range: a 5.1 stage for ADR, voice-over and broadcast/VOD; a 7.1 stage for editorial and TV/VOD finals; and a dedicated 7.1 theatrical stage for final cinema mixes. All run Pro Tools Ultimate on Avid control surfaces. Separate recording, editing and design rooms include video-server picture, a 65-inch stereo display and 7.1 JBL monitoring. The 48-seat cinema theatre supports 7.1 playback, QC and client screenings.

The INFAZE team’s work has premiered at Sundance, Locarno, IDFA, Sarajevo, Thessaloniki and Hot Docs — including Agent of Happiness, A Woman Captured and Locarno Critics’ Week Grand Prix winner The Euphoria of Being.

Showreel & references