THE FULL SERVICE POST PRODUCTION COMPLEX
Your one-stop-complex for post production in Europe
A state-of-the-art post production facility situated within ORIGO Studios Budapest complex. Here, we offer clients 16mm and 35mm negative processing, 2K and 4K dailies and final finishing support for feature films, television and commercial projects.
Digital Color Grading & Screening
Comfortable screening rooms equipped with state-of-the-art analogue and stereo digital projectors, in 2K or 4K. The facility’s engineer-team ensures precise calibration and strict color management by Filmlight Truelight. 9 meters wide screens provide top picture quality for executive screening teams up to the entire crew.
DI-Room: 14 VIP chairs, Dolby 3D Barco 2K/4K digital projection, Kinoton Studio Reference film projector, Baselight EIGHT color corrector, 5.1 Klipsch Audio system
Main Screening Room: 48 seats, Dolby 3D Barco 2K/4K
digital projection, Synchronized Kinoton film projectors,
DoReMi 3D DCP Player, RealD 3D Cinema with Silver-
Screen, 7.1 Klipsch Audio system
Screening 3: 65” Stereo Plasma screen, Video server,
7.1 JBL Audio system
Scanning and Recording
The world’s fastest scanner is available at Origo Digital. Unparalleled speed and quality from DFT Scanity.
Scanity is a film scanner that offers unprecedented speed, versatility, stability, and safe film handling. It serves a variety of scanning applications including, dailies, feature film mastering, EDL/conform scanning, low resolution browsing, archive and restoration, short-form commercials, as well as digital intermediate scanning. Scanity uses a completely new and uniquely designed Roller Gate in the scanning area of the film path. This method is the most gentle way to transport and scan the film, and besides from the rollers, there are no mechanical parts. Scanity provides touch-free pin registration rather than mechanical pins to ensure excellent image steadiness.
For feature film scanning as well as in a wide range of commercials, film restoration and in digital dailies applications. Constant evolution since it’s introduction in 2004 has made the ARRISCAN the futureproof investment in film digitizing. 6K/4K and 3K/2K scanning with CMOS area sensor, LED illumination, incl. infrared dust removal, doubleflash technology for high dynamic range. 8 frames per second scanning speed, 2 m/s winding speed with live image, pin-registered film transport for 2- 3- and 4perf 35mm and 16mm.
ARRILASER 2 HS
The new top model by ARRI, the ARRILASER 2 ‘HighSpeed’ provides with a maximum speed of 0.8 sec/frame in 2K and 1.3 sec/frame in 4K more than double the throughput speed of the existing ARRILASER Speed. The ARRILASER is the only film recorder to use laser technology. With this technology it has set industry standards in image quality, productivity and reliability, and has significantly reduced the cost of recording digital images onto film. It has even been recognized and honored by the Academy of Motion Picture Arts and Sciences (A.M.P.A.S) with a Technical Achievement Award in 2002.
Preserving Images for the Future
With new file formats, storage capabilities, and rates of data flow constantly changing, there is a risk that data stored on current tapes and hard drives might not be accessible later. The ARRILASER 2 HS offers the only proven way to store film images that can be accessed not only tomorrow, but for decades to come.
With the option to record b&w separations from a color negative, the ARRILASER 2 HS offers a very convenient way to store a color negative on the most future-proof media that currently exists: b&w film.
– Offline edit bays equipped with 5.1 Genelec sound system
– 42″ Panasonic calibrated plasma screen (3D is available on-demand)
– Secure system storage in a controlled environment
– Bones Dailies System for audio syncing, one-light color grading, LUT applying
– Audio mixing
– Dialogue replacement (ADR) / Dubbing / Voice-over recording
– Audio Restoration
Dailies and On-set Grading
The Flexxity and Bones Dailies applications by DFT provide a solution for on-set or post digital and film dailies. It provides native support for DPX, R3D, ARRIRAW, QuickTime and single frame file formats. It performs image and audio synchronization of dailies material, timeline editing, color correction, image scaling, and supports parallel workflows for higher throughput and efficiency. Stereoscopic 3D support includes stereo color matching and parallax processing. Output for QuickTime, MXF, DNxHD codec, MPEG1, 2, 4, chaptered DVD, WM, AVI and others.
Our experienced colorists can work on-set close to
the DoP and the Director establishing the look of the
feature. We can create LUTs, screenings, previews
and dailies. We offer the following:
– Color management and LUT creation through editorial and finishing
– Dailies creation and transcoding
– LTO archiving and redundancy checks
– Quality control at every step, data checking and security
– Fibre channel link directly to the sound-stages
– 17″ MacBookPro based on-set kit assembled by our engineers
– Autodesk FLAME and SMOKE
– Archiving and Preservation
– Data Hosting
50+ major productions
feature films, series, TV shows, events